Geeky Bob

It was on this day 20 years ago that Rich Mullins was killed in a car accident on his way to a benefit concert in Kansas. At the time of his death, Rich was only moderately popular and had never won any awards - not even for his internationally-famous worship songs that are still sung in churches throughout the world.

The exact cause of the crash that took Rich's life is still unknown, although you can read the details about the crash online. That being said, I will never forget how I learned about Rich's untimely death. My daughter and I were driving through the empty deserts of west Texas on our way home to Dallas after attending a youth conference in Tucson, AZ. I had been channel surfing on the radio and trying to find something to listen to, which was rather difficult since we were out in the middle of nowhere. I discovered a radio station that was playing a song by Rich Mullins, whom I had always admired, and I remarked to my daughter that we needed to see Rich in concert whenever he came through Dallas.

After the song had ended, an announcer came on the radio and delivered the news that Rich Mullins had just been killed in a car accident. My daughter and I were both stunned, and for some reason I found myself crying a lot over the next several hours as we continued our drive home to Dallas. (This has always been a mystery about myself for which I have yet to find an acceptable answer: why was I so upset about someone whom I had never met? It has been 20 years, and I think that part of my emotional makeup will remain unsolved, but to be honest - I'm not too worried about it.)

Nevertheless, I often wonder where Rich's career might have gone if he had not passed away at the young age of 41. He tended to be openly blunt about sin and judgmentalism within the church, which is one reason why he was largely overlooked and often ostracized by the "Contemporary Christian Music" industry until after his death, (when the establishment was suddenly forced to deal with the reality of their hypocrisy). With that in mind, if Rich were alive today, he would probably still be living in veritable obscurity in a hogan on the Navajo reservation in northern New Mexico, where Rich was working as a music teacher in self-imposed destitution after taking a voluntary vow of poverty.

If nothing else, Rich Mullins was certainly unique; I still miss him and his music.

I used to live in the Dallas Forth Worth area, which helps form the lower band of the Bible Belt. While we were there, my wife and I were fortunate to have a wealth of local Christian radio stations and concerts to choose from. It didn't matter which subgenre you preferred: pop, rock, gospel, praise, etc.; there was always a radio station for you to listen to.

However, after moving away from that region, we have been forced to suffer through the following syndicated options:

• Air1
• Family Life Radio
• K-LOVE

All three of these syndicated radio stations continually spew never-ending streams of utterly forgettable music. The playlists for these stations often consist of unimaginative and trite originals, or generic attempts at copying secular music genres (yet falling several years behind what is current).

One of the most-common problems the Christian music genres face is endemic to Christian music in general, and this is the constant insistence that "the lyrics are more important than musicianship." This mindset is, of course, a ridiculous proposal. Not only does it completely ignore Psalm 33:3, but it means that the bulk of Christian music cannot be taken seriously; because if the people who are creating Christian music cannot take their craft seriously, then no one else will.

That being said, the Christian music industry is just that - an industry. And like it's secular counterparts, the Christian music industry attempts to crank out hit after hit in an effort to prolong their revenue stream. Let me be clear: I am a capitalist at heart, and I have no problems in principle with anyone who chooses to make their living by sustaining a successful product line. However, those responsible for producing Christian music fail to realize that by turning out an endless torrent of pedestrian drivel, they are putting themselves out of business. I guarantee that fewer and fewer people are buying Christian music because - to put it bluntly - most of it is crap.

While the Christian music industry is afflicted with serious problems with regard to a general lack of musical inspiration, a willing accomplice to Christian music's crimes against itself are the syndicated radio stations who continue to cycle through hideously short playlists of repetitive melodies and prosaic, middle-school rhymes. I ask anyone who listens to Christian music to answer these questions honestly:

• How many times per hour does someone really need to hear Chris Tomlin?
• Couldn't the lyrics to "Good, Good Father" have been written a heck of a lot better? (Yes they could, yes they could, yes they could.)

In closing, there are thousands of wonderful Christian musicians around the globe, but chances are good that you'll probably never hear them. The people at the helm for charting the course of the Christian music industry are not interested in talented musicians; they are far too preoccupied with trying to produce next year's crop of bland and predictable "hit makers." In a like manner, if you tune into any of the syndicated radio stations that I listed above, then you'll have to endure hours of songs from Chris Tomlin, Matthew West, tobyMac, and something from MercyMe or Casting Crowns, (who are secretly the same band anyway... yes they are, yes they are, yes they are).

UPDATE: The following comedy video from John Crist perfectly illustrates a lot of what's wrong with contemporary Christian music these days:

HOW IT'S MADE: Christian Music
https://youtu.be/bwwhkKPEieE

I had a song continuously running through my head, and as I have done before, I decided to transcribe it in order to get it unstuck and move on with life... Tonight's song was "Unchained" by Van Halen, which was a perennial favorite of mine to play live back in the early 1980s. I used Guitar Pro to do the transcription and playback, and while the transcription isn't 100% it's pretty good for an hour's worth of work. Plus, I think I did a pretty decent job of dialing in Eddie's tone when compared to the original.

Note: I didn't transcribe the guitar solo section because the intro, verses, bridges, and choruses were enough to get the song out of my system.

But you never know, I might come back to this later...

UPDATE:

A few years after my original post, I looked over my transcription, and what I called "Bridges" probably should have been called "Pre-Choruses." Oh well... it's a free transcription, so deal with it.

I had this melody line stuck in my head all day... and if you have to have a song lodged in your imagination, this is a pretty good one to go with.

I felt like some old-school jazz flamenco this evening, so I put on some classic Paco De Lucia, Al Di Meola and John McLaughlin playing Di Meola's masterpiece Mediterranean Sundance. It's been over 35 years since these three toured together, but it's amazing how great this piece has held up... and Al Di Meola's run of 256th notes starting at 2:40 would melt most fretboards.

Much has been written by others about the passing of Greg Lake yesterday, so pardon my addition to the fray.

Greg Lake's death follows just nine months after his former band-mate, Keith Emerson, and these musicians were two-thirds of the colossal progressive rock band "Emerson, Lake & Palmer (ELP)." For those who aren't aware of who these guys were, ELP dominated the progressive rock scene throughout the 1970s, selling millions of records and filling stadiums with hundreds of thousands of fans during their International tours.

As an example of ELP back in their heyday, here's a video of them performing during their headlining performance at the California Jam in 1974:

PS - Since Emerson and Lake have both passed away within months of each other, someone needs to surround Carl Palmer in bubble wrap before something happens to him.

My wife was mentioning how the following pseudo-80s music video for "Pop! Goes My Heart" from the movie "Music and Lyrics" was ridiculous...

I replied that the video from the movie was make-believe; if she really wanted to see a cheesy 1980s music video, she should watch Dokken's "Breaking The Chains"...

It's like a train wreck - it's a disaster, but you can't stop watching...

I had a song stuck in the back of my mind all evening and it was starting to bug me, so I decided to sit down and transcribe it in Guitar Pro 6.

Once I had finished transcribing the song, I remembered that it was named "Silver Tightrope," and it was from an album which was released in 1975. I seem to recall that I thought the song had been recorded by "Yes" when I had first heard it, but the song was actually written by a short-lived band from the UK named "Armageddon."

The four bars which I transcribed are probably around 99% of the song, so it was a pretty quick diversion for the evening. Now I'll get back to the business of writing some code.

So I'm driving through Tucson today and channel-surfing on the radio trying to find a station which actually plays music instead of back-to-back advertisements, when I stumbled across 96 Rock playing "The Spirit of Radio" by Rush, and I think to myself, "Wow, how many times has this exact scenario played out over the past thirty-some-odd-years?"

Seriously -  hearing the same band, playing the same song, on the same radio station, and even driving down the same street in the same town. This has happened way too many times to count... but trust me, it's a good thing every time it happens.

After careful consideration, I have decided that Geddy Lee of Rush is actually a time traveling musical genius who was also posing as the nineteenth century composer Jacques Offenbach... That would explain why Rush named one of their last tours "Time Machine" and their plethora of science fiction lyrics over the years...

Geddy Lee or Jacques Offenbach? You decide.