Star Trek Continues to Disappoint

I don't know about you, but I was extremely disappointed with Star Trek: Picard. I thought the plot was poorly designed, I thought most of the actors were poorly cast and therefore their characters were poorly acted, and worst of all I thought that the writing was terrible.

And it is with those same sentiments in mind that I shuddered with trepidation when I read the following announcements:

Future Star Trek Television Series

Two animated and two live-action television series are currently in development.

Animated: Star Trek: Lower Decks

Star Trek: Lower Decks was announced on October 25, 2018, by CBS All Access as a two-season order for a half-hour adult animated comedy series created by Mike McMahan, the head writer and executive producer of Rick and Morty. It focuses on the support crew of "one of Starfleet's least important ships", and shares a name with a Next Generation episode. The first season is scheduled to premiere on August 6, 2020, and will consist of 10 episodes.

Animated: Star Trek: Prodigy

In February 2019, it was announced that an animated series developed for young viewers was in development. The series is being co-written and created by Dan and Kevin Hageman and will air on Nickelodeon as a joint-venture with CBS. It focuses on a group of teens who embark on an adventure upon an abandoned Starfleet ship. On July 23, 2020, it was announced that the title would be Star Trek: Prodigy and that it will premiere in 2021.

Live-action: Untitled Philippa Georgiou series

Announced in January 2019, a live-action television series will focus on the mirror universe's Philippa Georgiou and her adventures as a member of Starfleet's Section 31 division. Michelle Yeoh will reprise her role from Discovery, with Bo Yeon Kim and Erika Lippoldt serving as co-showrunners. The series is reported to feature an ensemble cast.

Live-action: Star Trek: Strange New Worlds

Announced in May 2020, Star Trek: Strange New Worlds will depict the early days of the Enterprise and feature Discovery actors Anson Mount, Ethan Peck, and Rebecca Romijn reprising their roles as Pike, Spock, and Number One, respectively. It will be released on CBS All Access. In June 2020, Jonathan Frakes confirmed he had been asked to return as a director for the series.

The people in charge of the Star Trek vision appear to have lost their way. They are turning Gene Roddenberry's original vision - which was once ground-breaking Science Fiction - into a horrible, hollow caricature of itself.

The Walking Dead is a Dead Man Walking

A couple of years ago I wrote a blog titled How The Walking Dead Lost Me As A Fan, wherein I described how AMC's television series The Walking Dead (TWD) lost me forever through their lack of artistic direction and their apathetic and unnecessarily-grotesque methods for killing off major characters. I also pointed out that I was not alone in my opinions: fans and critics alike have lambasted the show, and its ratings have continued to plummet into a near-fatal nosedive. While TWD's average viewership is still garnering numbers that would make some other series proud, the show is at it's lowest point since its second season, and nearly half of what it was at its peak. In short, TWD is driving its fans away for many of the reasons that I wrote about in my blog two years ago - and more.

Having said that, I recently stumbled across the following videos, each of which does a great job of summarizing many of the problems that TWD's production staff has failed to rectify:

If you used to be a fan of TWD, those videos might be worth your time to watch, because they will reinforce your decision to abandon the sinking ship that was once one of television's best series.

As I mentioned in my previous blog, I would try to keep up with the series by reading episode synopses, but I have no intention of actually watching the show again. With that in mind, I discovered that The Telegraph provides great recaps for most of TWD's episodes, with just enough detail to help former TWD fans know what's happening to their favorite characters, without having to waste an hour each week suffering through yet another pointless offering from TWD's misguided creative team.

So if you're like me, have fun catching up on the show, and enjoy all the time you're saving by not actually watching it.

How The Walking Dead Lost Me As A Fan

First and Foremost: SPOILER ALERT!!! There will be MAJOR SEASON 7 SPOLIERS about AMC's The Walking Dead (TWD) in this blog; so if you have not seen the Season 6 ending episode and the Season 7 opening episode, then I highly suggest that you stop reading now. Seriously. STOP. READING. NOW.

Okay, now that this blog should be limited to just the people WHO HAVE ALREADY SEEN THE SEASON 7 OPENING EPISODE, I shall continue.

I like a good television series. And I like zombies. So the fact that I would like a good television series about zombies seems like a no-brainer. (No pun intended for the zombie genre. Well, maybe just a little.)

Anyway, there have been very few times when I have become completely disillusioned with a television series at the height of its popularity, but that has just happened with the opening episode of TWD's seventh season. Although to be honest, my dislike for the series started at the end of the previous season. But I have kept my silence over the past several months because I wanted to see how this new season would start out; and now that I have watched the opening episode, I'm done with the series.

To put it mildly, I wasn't just disappointed with the final episode of TWD Season 6, I was irate. I was angry. Infuriated. Enraged. Incensed. Those of you who have followed TWD since its inception know why, and for those that don't - for the final episode of Season 6, some Hollywood idiot decided that it would be funny to kill off a major character. That's not a big deal for TWD, which has always made it clear that it will kill off a major character with no mercy. But this series-killing poop-for-brains decided to end the show with a cliffhanger about who died - so TWD's message it fans was, "We just killed someone important, and it's probably a character that you love, but we're going to make you wait six months to know who it was. Nyah, nyah, nyah, nyah."

But it was worse than that, because the pace of the show had slowed to a long, monotonous crawl toward that final scene, which was probably because some mentally-deficient Hollywood executive thought that it would create dramatic tension. But it didn't. What it created was apathy. This particular episode was easily a 60-minute show which had been dragged out to 90 minutes just to sell more advertising space, so by the final scene I really didn't care anymore. We fans knew someone was going to die; TWD is very bad about telegraphing that. Almost every episode where someone important has died on TWD has been incredibly predictable; that was also true for the Season 7 opener, but I'll come back to that later. (By the way, the TV series Lost was much the same way; it was blatantly obvious when someone important was going to die. TWD's creators should learn from Lost's mistakes, not repeat them.)

Getting back to the main point, when the death scene finally happened, it was done through the eyes of the victim, where the person being killed watches as the newly-introduced evil-bad-dude-Negan beats him to death with a baseball bat. I believe this cinematic approach to a character's death was also supposed to create additional tension; but once again, it failed to do so. It merely added to the annoyance. And hearing the evil-bad-dude-Negan continue to bash in the skull of the unidentified victim as people screamed in the background while the scene faded to black simply sealed the fate of this television show instead of sealing the fate for evil-bad-dude-Negan's intended target.

When that episode had ended, I was furious. I was exasperated. I was offended. However, within a few days it was a small consolation to learn that I was not the only fan who thought this was one of the worst season finales in the history of television; fans and critics alike exploded with thousands of angry reviews, blogs, tweets, etc. Here are just a few:

As you can see, there was no shortage of loathing for the way that season finale was envisioned and how it played out on screen. Things were so bad that one of the show's creators, Robert Kirkman, apologized to fans:

That was a half-hearted apology at best, but it reveals something very important about the people who are guiding TWD - they really do not understand their fanbase.

Let me put it this way, killing a major character in a television series is a big deal. When you're in charge of the creative vision for a series, you can kill off  a major character when necessary, and you can make it a painful experience for your fans, but you have to respect your fans when you do it. The Season 6 finally could have ended with evil-bad-dude-Negan choosing his intended victim, then perhaps changing the camera view to the victim's eyes to see the bat extended at that victim's face (as in the original finale), and then cutting to black. That would have had the same cliffhanger effect, and a lot of fans would still have been unhappy about having to wait to see who gets killed. But the way the show actually ended - killing the character anonymously - was way over the top; it was extremely unfair to its fans. This was abundantly evident during the few weeks after the Season 6 finale had aired; my wife and I heard dozens of people exclaiming that they were done with the series, and we met dozens more fans who - like me - were ready to quit the show, but thought that they would at least wait to see the Season 7 opening episode to decide whether to stop watching. But now that I have seen that episode, I am done with TWD.

AND NOW I WILL REALLY DELVE INTO SEASON 7 SPOILERS.

YOU HAVE BEEN WARNED.

Over the ensuing months, there was a fair amount of online debate over who evil-bad-dude-Negan was going to kill. Although for me, there was no debate; I knew that it was going to be Glenn or Abraham. Everyone else was easily ruled out:

  • Some people were redshirts, (e.g. Aaron, and possibly Rosita or Eugene), so the audience wouldn't care enough if any of them died, and certainly not enough to warrant a cliffhanger death, so their deaths would simply have been a let down.
  • It couldn't any of the women (e.g. Michonne, Maggie, or Sasha) simply because that just wouldn't be right; any of them could die in a different situation, and that might still happen, but not (SPOILERS!!!) execution style. (e.g. It was heartbreaking yet acceptable when Beth's, Lori's, and Andrea's characters died.)
  • It is similar for Carl; an execution style death would be wrong. (Although killing an unarmed teenager would have amazing shock effect; but no - it's still wrong.)
  • It simply wasn't going to be Rick or Daryl; like it or not, they are the show's predominate characters, and TWD's creators would have to be even stupider than they already are to attempt killing one of them. And besides, you can't kill Rick or Daryl... just because you can't.

That left Abraham or Glenn, and things weren't going in Glenn's favor since his death at the hand's of evil-bad-dude-Negan happened in this exact scene in the graphic novel upon which the television series is based.

But here's where the show's creators - once again - seriously screwed their fans. In an effort to keep their fans' unhappiness in check, the show's creators had promised in several interviews that they would reveal everything in the starting moments of the Season 7 opener; but they didn't. They didn't reveal that (SPOILERS!!!) Abraham had died until more than 21 minutes of the show had gone by. (That's if you count time for commercials, which I do since I watched the show live.)

Although at the beginning of the show viewers did see the aftermath of Abraham's death - because his brain and skull fragments were copiously littering the ground around the surviving protagonists. So not only did the episode not reveal who had died as promised, but the show's creators masked Abraham's demise in the most-gross fashion as possible.

Now, let me be honest here - if you are watching a show about zombies, you should expect there to be a lot of gore. There could be gore from half-rotting zombies walking around, or gore from zombies eating humans, or gore from humans killing zombies, or gore from humans killing humans. To reiterate, if you're watching a show about zombies, it's just going to be gross. And I will admit, over the past 35 years I have watched a lot of movies and shows about zombies... LOTS. AND. LOTS. OF. ZOMBIE. SHOWS. In addition, there was a time in my life when I wanted to be one of the the guys doing the makeup for zombies in these movies, and I have done my fair share of creating zombies for haunted houses in the past.

Having said that, when the show finally got around to replaying Abraham's execution in a flashback sequence, TWD's special effects department left out no amount of abhorrent minutia from viewers when the time came to show Abraham's death - you watched Abraham get hit with a baseball bat again, and again, and again, and again, again, again, again... for a total of 18 times over three minutes of spare-no-detail carnage, until Abraham's brains and skull were a gigantic mess of bloodied pulp lying on the ground next to Rick and the rest of the group.

THIS. WAS. TOTALLY. UNNECESSARY.

PERIOD.

Seriously, there are a lot of other ways that this death scene could have been handled. However, as it was shown, this scene might have garnered an NC-17 rating if it had been played in movie theaters. As I said earlier, in a show about zombies, I expect a lot of gore, and this series has provided plenty of it. But this was too much. Way too much.

And then, surprise, surprise, the show's creator's decided to throw their viewers a curveball a few minutes later by (SPOILERS!!!) killing Glenn IN ALMOST THE EXACT SAME DEATH SEQUENCE. Once again, TWD's special effects department spared nothing from their viewers as evil-bad-dude-Negan hit Glenn with a baseball bat again, and again, and again, and again, again, again, again... for a total of 17 times over two minutes of let's-see-how-gross-we-can-make-this drama. In the end, viewers were treated with one scene of Glenn pitifully gurgling to Maggie with a half-bashed-in skull, and another scene of Glenn's skull and brains scattered randomly around the ground as his headless and near-lifeless body continued to spasm involuntarily while evil-bad-dude-Negan walked away with bloodied fragments of Glenn's scalp hanging precipitously from his baseball bat.

THIS. WAS. ALSO. TOTALLY. UNNECESSARY.

PERIOD.

The amount of carnage displayed in these two deaths was so far beyond what was needed to solidify evil-bad-dude-Negan's character as the worst villain in TWD's television series that it borders on cinematic negligence. (Seriously, Hollywood would probably be better if fans were able to sue a show's creators when they've totally lost their vision. Are there any Castle fans reading this? If so, you know exactly what I mean.)

Let me explain something that TWD's intellectually-deficient creative staff does not seem to understand: well-loved characters in a television series are like family or friends to their fans; we invest a lot of time in these characters, we're happy to see them every week, and we hope that they will return each season. While it is painful to see a favorite character leave a series, we understand that these things happen; some actors are swayed by more-lucrative contracts, creative differences cause some people to leave a series, other actors like George Clooney and Charlie Sheen get too full of themselves and need to go, etc.

However, to gratuitously murder two beloved characters in such a prolonged, heinous and disgusting manner is inexcusable. Killing Abraham because you needed to kill a major character is sad but understandable given the apocalyptic setting of the series, and killing Glenn simply because most fans wouldn't see it coming was taking an understandable risk for the shock value, but it could have been done better. MUCH, MUCH BETTER. Neither Abraham's nor Glenn's deaths needed to show several minutes of cranial evisceration; Abraham could have died as the result of several blows to the head without the unnecessary level of detail, and I personally think that it would have been more effective if evil-bad-dude-Negan had simply spun around quickly and shot Glenn without forcing the audience to suffer through yet another long monologue from evil-bad-dude-Negan about why he is such an evil, bad dude. This would have resulted in a more-shocking and totally unexpected immediate death for Glenn, and I think no one would have seen it coming. However, in the episode that was aired, TWD once again telegraphed that Glenn was going to die long before evil-bad-dude-Negan had even swung the bat. How disappointing.

I know that the show's creators really needed to introduce evil-bad-dude-Negan since he is so critical to the graphic novel series and fans have been waiting for him to appear, but I should point out something else as a fan of TWD which is very important: I'm bored with the series. TWD is hideously formulaic; it used to be about killing zombies, now it's just about bringing in a new villain every season or two. JUST. LIKE. EVERY. OTHER. DRAMA. SERIES.

How about introducing something new? Like a new strain of zombie? Or someone who's learned how to control zombies? Or a discovery that there's a major collection of survivors somewhere trying to band together and eradicate all the zombies? Or how about people who are actually the "good guys" and they don't like Rick and company because they've actually been pretty awful characters for quite some time? Or maybe someone who's working on a cure? Or... anything other than yet another evil-bad-dude-villian. (Although a really evil-bad-female-villian would be great; sort of an anti-Michonne.)

However, the people in charge of TWD's production seem to lack the psychological fortitude that is required to take the show in a new direction, so it seems like Season 7 is just going to be more of the same; an evil-bad-dude-villian gets the upper hand, but eventually our heroes overcome all obstacles and they move on to the next evil-bad-dude-villian.

So as far as the Season 7 opener is concerned, I think the people who created it should be ashamed; and quite frankly, I think that this is the beginning of the end for TWD. I know that I - for one - have already removed TWD from my DVR schedule, and I highly recommend that others do the same. It was a good run while it lasted, but for all intents and purposes, it looks like The Walking Dead is over; I guess it's time to get used to it. While the series continues, I will periodically check the episode synopses on Wikipedia in order to see what happens to the characters about whom I am still interested; because I still care about these characters, but not enough to actually watch the show.

Meryl Streep and the Most-Vilified Segments of Society

At last night's 74th Golden Globes Awards, Meryl Streep had the audacity to compare the occasional inconveniences of Hollywood elites to the suffering of immigrants when she was delivering an acceptance speech for yet another unnecessary award. However, my sarcasm and rhetoric cannot do justice to just how out-of-touch Ms. Streep is with reality; here are the ridiculous thoughts she actually uttered out loud before a crowded auditorium:

"All of us in this room, really, belong to the most-vilified segments in American society right now. Think about it: Hollywood, Foreigners, and the Press."

First of all, it simply amazes me that Ms. Streep cannot comprehend the irony of equating whatever fake oppression she believes she is experiencing with the real-life suffering of others while standing onstage at another over-the-top example of Hollywood's infatuation with itself. Awards shows like the Golden Globes are - of course - nothing more than another opportunity for self-indulged entertainers to fall in love with themselves all over again. Judging by the number of times per year that Hollywood entertainers need to pat themselves on the back for doing their jobs, you quickly get the impression that they are anything but a vilified segment of American society. (Hollywood types are, however, incredibly insecure cry-babies with delusions of grandeur, but I digress.)

Think about it, no other career field - not even professional sports - has anywhere near the number of awards shows that Hollywood film, television, and music entertainers have for themselves every year. Here is only a partial list:

AACTA Awards, Academy Awards (The Oscars), Academy of Country Music Awards, ACTRA Awards, Alternative Press Music Awards, Amanda Awards, American Academy of Arts and Letters Gold Medal in Music, American Country Awards, American Country Countdown Awards, American Music Award, ARIA Music Awards, ASCAP awards , Atlanta International Film Festival, Awit Awards, Back Stage Garland Awards, BAFTA Anthony Asquith Award, BET Awards, Billboard Awards, Billboard Music Awards, Brit Awards, British Academy Film Awards, British Academy Television Awards, British Composer Awards, Canadian Cinema Editors Awards, Canadian Screen Awards, Cannes Lions International Advertising Festival awards, CMT Music Awards, Comet, Country Music Association Awards, Country Music Awards of Australia, Critics' Choice Movie Awards, Critics' Choice Television Awards, Directors Guild of Canada Awards, Distinguished Service to Music Medal, Donaldson Awards, Drama-Logue Awards, Drama Desk Awards, Drama League Awards, Edward R. Murrow Awards, Emmy Awards (Creative Arts), Emmy Awards (Daytime), Emmy Awards (Primetime), Emmy Awards (Sports), European Film Awards, Evening Standard Awards, Filipino Academy of Movie Arts and Sciences Awards, Filmfare Awards, FIPA awards, Game Show Awards, George Peabody Medal, GLAAD Media Awards, GLAAD Media Awards, Gold Badge Awards, Golden Bear, Golden Globe Awards, Golden Leopard, Golden Lion, Golden Melody Awards, Golden Nymph Awards, Golden Orange, Goldene Kamera, Governors Awards, Goya Awards, Gracie Allen Awards, Grammy Awards, Grand Prix du Disque, Grawemeyer Award for Music Composition, Grimme Preis, Handel Music Prize, Herbert von Karajan Music Prize, Hollywood Walk of Fame, Humanitas Prize, Independent Spirit Awards, Indonesian Film Festival, International Indian Film Academy Awards, Iris Awards, Ivor Novello Awards, Juno Awards, LA Weekly Theatre Awards, Latin Grammy Award, Laurence Olivier Awards, Leo Awards, Logie Awards, Lola Awards, Los Angeles Drama Critics Circle Award, Los Premios MTV Latinoamérica, Lucille Lortel Awards, Léonie Sonning Music Prize, MOBO Awards, MTV Africa Music Awards, MTV Asia Awards, MTV Australia Awards, MTV Europe Music Awards, MTV Movie & TV Awards, MTV Video Music Awards, National Dance Awards, National Film Awards, National Television Awards, New York Drama Critics' Circle Awards, New York Film Festival, Obie Awards, Otaka Prize, Outer Critics Circle Awards, Ovation Awards, Palme d'Or (Cannes Film Festival), Peabody Awards, Polar Music Prize, Praemium Imperiale, Prix de Rome, Pulitzer Prize for Drama, Pulitzer Prize for Music, Royal Television Society Awards, San Diego Film Awards, Sanremo Music Festival, Sarah Siddons Award, Screen Actors Guild Awards, Shooting Stars Award, Sibelius Prize, Stellar Awards, Suntory Music Award, Theatre World Award, Tony Awards, Young Artist Awards, YouTube Music Awards, etc., etc., etc.

And these awards are simply for doing their jobs. While I recognize the fact that such awards are ostensibly being given to those who did the best job for the year, it's still an award for doing something that often does not require that much skill. Seriously. It takes very little talent to pretend to be someone else for a few days per year. The guy who recently fixed the air conditioner in my house has arguably more skills than many of the Hollywood A-Listers. But then again, the guy who fixed my air conditioner doesn't get any awards for doing his job; he gets paid. Of course, he probably only made a few hundred dollars while working for me, whereas Ms. Streep makes millions of dollars every time she steps in front of the cameras to do something that any number of struggling actors could undoubtedly do better.

And yet Ms. Streep is oblivious to just how ridiculous she sounds when she compares her life of awards shows, exorbitant salaries, first class jet-setting around the globe, designer gowns, luxury hotels, and palatial mansions to the sufferings of refugees and immigrants. I find it difficult to believe how someone - how anyone - could be that self-absorbed.

Contrary to her feelings on the matter, Ms. Streep is not a member of a vilified segment of American society; but she should be.